Released only one year after Part II, Part III is technically a sequel but functions more as a parallel story. Set 100 years after the first film, we meet a new protagonist: Shi Fang (Tony Leung Chiu-wai!), a young Buddhist monk transporting a golden Buddha relic. He stops at the infamous Lan Ro Temple, which has returned to its haunted state.
Here, he meets a new ghost: Lotus (Joey Wong again, playing a different character). Lotus is trapped under the command of a new Tree Devil (a parasitic centipede demon). Falling into the same tragic trap as Ning Choi-san, the monk must break his vows of celibacy and non-violence to save her.
To watch "a chinese ghost story i 1987 full" is to understand the blueprint of the modern fantasy romance genre.
The second film is a radical departure. Due to the tragic ending of the first film, Ling Choi San returns, but he is now a fugitive mistaken for a rebel. The ghosts here are not the love interests but the monstrous villains. The real horror is human corruption.
Choi San meets a young woman named Ching Fung (again played by Joey Wong), who is the spitting image of Nie Xiaoqian, but very much alive. Together, they battle a government minister who has turned into a giant centipede demon, and a crazed Buddhist monk who has become a fleshy, flying fetus. a chinese ghost story i ii iii 198719901991 full
Searching for a chinese ghost story iii 1991 full often yields a 109-minute version. Beware of 85-minute edits, which remove the entire side-plot of the jealous nun (Nina Li).
Watching the A Chinese Ghost Story trilogy in full offers a fascinating look at the evolution of Hong Kong fantasy cinema.
The sequel arrived three years later, picking up the story of Ning Tsai-san. While Leslie Cheung and Joey Wong returned, the tone of A Chinese Ghost Story II is noticeably different.
The Plot: Ning has become a wanderer. After being mistaken for a wanted criminal, he lands in jail, only to be rescued by a lookalike (a renowned swordsman). He eventually crosses paths with a female rebel who looks exactly like his lost love, Nieh Hsiao-tsing. Released only one year after Part II, Part
The Verdict: Part II is often viewed as the "middle child" of the trilogy—entertaining but uneven. It leans heavier into comedy and satire, poking fun at the government and bureaucracy. However, it retains the spectacular action sequences, including a memorable battle against the "Hundred Year Old Centipede." While the romance feels slightly recycled due to the "lookalike" plot device, the film stands as a solid wuxia (martial arts) adventure.
The A Chinese Ghost Story trilogy (1987–1991) is a definitive cornerstone of Hong Kong's "Golden Age" cinema, blending supernatural horror, high-flying martial arts, and tragic romance into a unique genre-bending experience. Produced by the visionary Tsui Hark and directed by action choreographer Ching Siu-tung, the series revitalized the ghost film genre and launched stars like Leslie Cheung and Joey Wang into international stardom. The Trilogy Overview (1987–1991) Go to product viewer dialog for this item. A Chinese Ghost Story Trilogy (BLU)
A Chinese Ghost Story trilogy, produced by and directed by Ching Siu-tung , is a seminal work of Hong Kong cinema that blends (martial arts), fantasy, romance, and horror The Hollywood Reporter
. Loosely based on the 17th-century stories by Pu Songling, the films are renowned for their inventive special effects and the iconic chemistry between their leads No-Budget Nightmares A Chinese Ghost Story (1987) Ning Caichen The second film is a radical departure
(Leslie Cheung), a bumbling tax collector, seeks shelter in the haunted Orchid Temple . He falls in love with a beautiful woman named Nie Xiaoqian
(Joey Wong), only to discover she is a ghost enslaved by a terrifying Tree Demon that feeds on human life force : Assisted by a master Taoist swordsman, Yan Chixia
(Wu Ma), Ning must battle the demon and journey to the Underworld to rescue Xiaoqian’s soul before she is forced into a marriage with an evil lord
: The film popularized the "ghost romance" genre and featured pioneering wire-stunts and stop-motion effects No-Budget Nightmares A Chinese Ghost Story II (1990) Dialogue: Tony Ching Siu-Tung - The Hollywood Reporter
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