Ample Sound Ample Metal Eclipse V3.7.0 -win-mac- Review

| Function | MIDI CC | |----------|---------| | Volume | 7 | | Pan | 10 | | Expression | 11 | | Sustain (legato) | 64 | | Portamento | 65 | | Pickup select | 67 | | Fret position | 16 | | Vibrato depth | 17 |

The emulation of electric guitars in the Digital Audio Workstation (DAW) environment has historically been a challenge due to the instrument's nuanced articulation and the importance of performance techniques (such as sliding, muting, and palm-muting). Ample Sound has established itself as a leader in this domain. Ample Metal Eclipse is a dedicated virtual instrument sampled from an ESP Eclipse solid-body electric guitar, an instrument favored in the Metal and Hard Rock genres for its thick low-end response and sustain. Version 3.7.0 represents a mature iteration of the engine, featuring optimized performance and the "Tab Player" system.

6.1. Tonal Quality Ample Metal Eclipse excels in "crunch" and "high-gain" rhythm tones. The palm-muted articulations are tight and percussive, cutting through a dense mix without requiring excessive EQ. For lead work, the sustain samples and legato transitions are smooth, avoiding the "sample switching" artifacts common in older libraries.

6.2. Playability The instrument is highly playable via MIDI keyboard. The key-switching layout is intuitive (typically lower octaves for articulation switches, upper octaves for playing). However, the true power lies in the Tab Player; for intricate metal solos, feeding the engine a Guitar Pro file yields significantly more realistic results than live keyboard performance due to the engine's ability to interpret vibrato and slide durations accurately.

6.3. CPU Efficiency Despite the high sample count, the engine is optimized. It utilizes disk streaming effectively, ensuring that loading the patch does not consume all available RAM. CPU usage is moderate, allowing for multiple instances in a standard production session.

You don’t need external amps for great tone — the plugin includes:

Quick metal tone setup:

If you want, I can:

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Title: The Ghost in the DI Box

Jenna had been staring at the waveform for six hours. It was flat. Dead. The orange line on her screen looked like a heart that had given up. Ample Sound Ample Metal Eclipse v3.7.0 -WiN-MAC-

She was a producer, not a guitarist. The label wanted “modern, aggressive, and impossibly tight” for the new cyber-metal band, but her session guitarist had ghosted her. The DI tracks she’d bought online were sloppy. The free ampsims sounded like angry bees in a tin can.

“Fine,” she muttered, scrolling through her plugins folder. “Let’s try the ghost.”

She clicked Ample Metal Eclipse v3.7.0.

The GUI loaded. A deep, wine-red guitar body rendered in 4K on her monitor. The fretboard glistened like wet obsidian.

She dragged a MIDI riff into the piano roll—a chugging, syncopated Djent pattern she’d programmed at 3:00 AM.

Then she hit Strummer.

The algorithm didn't just play the notes. It breathed. The downstrokes had that frantic, pick-scraping desperation. The upstrokes ghosted with percussive silence. She turned the Pick Noise knob to 35%—the perfect amount of rosin and resin.

She double-clicked the Arpeggio engine. Suddenly, the Eclipse was shredding. Tapping. Legato slides that sounded like weeping violins.

But it was the Doubling feature in v3.7 that changed everything.

Jenna pressed the “Humanize” button. The plugin didn’t just copy her MIDI track. It created a second self—a shadow guitarist standing three feet to the left. Slightly different attack. Different fret micro-shifts. A tiny phase cancellation that felt like two people locked in a perfect, mechanical stare.

She loaded the AMP SIM. The new “Hellhound” channel. She cranked the gain to 8, the presence to 6. The virtual tubes sagged. | Function | MIDI CC | |----------|---------| |

She hit play.

The monitors roared. Not a synthetic buzz, but a wall. A chug so dense it shook the dust off her ceiling tiles. The low-E string resonated at 82.4 Hz, but the sub-harmonics rattled her fillings.

“This is a lie,” she whispered, grinning.

She wrote for four hours. She made the Eclipse sweep-pick like Yngwie, chug like Adam Jones, and shimmer like Bill Frisell. She automated the Tremolo Arm parameter on the last chord—a dive bomb that fell into a digital abyss.

When she finished the mix, she realized the sun was up. She also realized she had forgotten to eat.

She bounced the track. Sent it to the label.

Two days later, the A&R guy emailed back: “Amazing. Who is the guitarist? We want to sign him.”

Jenna looked at her MIDI keyboard. She looked at the plugin window, still open. The virtual guitar hung there, silent and perfect, waiting for its next song.

She typed back: “He’s very shy. But he never shows up late.”

Then she closed the laptop, poured a coffee, and thanked the ghost in the machine. Ample Metal Eclipse v3.7.0. The heaviest silence she had ever heard.

Ample Sound Ample Metal Eclipse (AME) is a virtual electric guitar instrument based on a meticulously sampled ESP Eclipse I The emulation of electric guitars in the Digital

guitar. Version 3.7.0 is a major engine update that enhances its realism and workflow for both Windows and Mac users. Key Features of v3.7.0 Sample Quality

: Features a 3.5GB to 4.6GB library specifically capturing the bridge pickup. New Riffer System

: A rebuilt Riffer with improved MIDI export and optimized strumming. Riffs are now inter-compatible across all Ample Sound products. Advanced Legato

: The updated legato system supports polyphonic slides and hammer-ons/pull-offs across different strings and frets. Scalable UI

: Modernized interface that allows for UI size scaling to fit high-resolution monitors. Articulations

: Includes 10 essential metal articulations such as Palm Mute, Pinch Harmonics, Legato Slide, and Tap. Amp and FX

: Built-in simulator with 7 classic amp heads (including Metal Double and Lead 800) and 8 cabinet models. amplesound.net System Requirements : Windows 7, 8, 10, or 11 (64-bit only).

: macOS 10.15 or later. Supports both Intel and Apple Silicon (M1/M2) natively. : VST2, VST3, AU, AAX, and Standalone.

: At least 10GB of free space is required, though 20GB+ on an SSD is recommended for optimal performance. amplesound.net

For official downloads and further technical details, visit the Ample Metal Eclipse product page Ample Sound amplesound.net mixing tips to get the best tone from the ESP Eclipse samples? amplesound.net