Come Under My Spell 1981 Exclusive May 2026

Who recorded it? Here lies the first layer of the mystery. Official liner notes do not exist. For years, the running theory was that the track was the work of a session group based out of New Jersey, possibly a side project of a member of Musique or Raw Sex.

The most credible evidence points to a duo known only as “Kindred Vibe” —a name that appears etched faintly in the dead wax of verified original pressings. The A-side, “Come Under My Spell,” features a hypnotic, half-spoken female vocal over a bassline that sounds like it was poured through a filter of molasses and electricity.

The “Exclusive” tag in the title isn't marketing hype. It was literal. According to a 1985 article in Disco Golden Years magazine, the pressing plant in Philadelphia produced only 150 copies. They were intended solely for radio DJs at WKTU and a few select clubs in the Northeast corridor.

If you search for this song on streaming platforms, you will find imposters. There is a 1999 Euro-house remix that samples the hook but adds a trash beat. There is a 2007 “lost vocal” version that is clearly an AI reconstruction. come under my spell 1981 exclusive

But the purists know: The 1981 Exclusive has no reverb on the snare. It has a drop-out in the left channel exactly at 2:47. And most importantly, it features a spoken-word bridge that was scrubbed from all later releases:

“They told me the 80s would be digital. But here, in this room, the only voltage is your heartbeat. Don’t fight it. Come under my spell.”

That bridge is the key. It breaks the fourth wall. The song isn’t about a witch or a lover; it is about the recording itself—a spell cast by analog tape and magnetic flux. Who recorded it

Directed by the prolific Cirio H. Santiago (a legend in the drive-in circuit), Come Under My Spell operates on a premise that feels like a pulp novel come to life. The story follows a mysterious hypnotist who utilizes his powers for nefarious, often seductive, purposes.

The film leans heavily into the "power of suggestion" trope that was popular in post-Vietnam era cinema, touching on themes of psychological manipulation and loss of autonomy. However, true to the spirit of 1981, it doesn’t get too bogged down in philosophy. Instead, it delivers a steady pace of suspense, moody lighting, and the kind of practical effects that modern CGI just can’t replicate.

To understand the song, you must understand the era. 1981 was a transition year. The glitter of disco was dead, but the body was still warm. Synth-pop was rising, but gothic rock was still gestating in the underground. “Come Under My Spell” sits perfectly in this crack. The “Exclusive” tag in the title isn't marketing hype

The vocalist is listed only as “Escher” (believed to be a pseudonym for Lorna Del Ray, a session singer who vanished from the industry in 1985). Escher’s contralto is drowsy yet menacing. When she purrs the hook—

“Close your eyes, forget the time / Come under my spell, 1981…”

—she isn’t seducing a lover. She is seducing the listener’s memory. The 1981 Exclusive mix emphasizes a repetitive, arpeggiated Roland Jupiter-4 bassline that feels hypnotic, almost dangerous. BPM clocks in at a lethargic 98, which was commercially suicidal for dance floors at the time.