Download Sons — And Daughters By Joe De Graft Pdf
| Character | Description | Key Trait | |-----------|-------------|------------| | Mr. James Ofori | Retired clerk, widower, autocratic father | Traditional, fearful, but ultimately loving | | Aaron | The son, an aspiring painter | Sensitive, rebellious, artistic | | Maanan | Eldest daughter, in love | Determined, romantic, defiant | | Aarpena | Youngest daughter, wants to study agriculture | Progressive, intelligent, outspoken | | Mrs. B | A neighbor and voice of reason | Pragmatic, mediating |
Sons and Daughters is one of Joe de Graft’s most celebrated plays, often studied in West African secondary schools and universities. The story centers on the tensions between the older generation, who are steeped in tradition and focused on the stabilization of the new nation, and the younger generation, who are eager to embrace modernity and self-expression. download sons and daughters by joe de graft pdf
The plot follows the family of Mr. Ocran. The central conflict arises when the children, James and Adwao, decide they want to pursue careers in the arts—specifically painting and dancing—rather than the "respectable" professions their parents desire, such as law or medicine. The play explores themes of: | Character | Description | Key Trait |
Sons and Daughters is a one-act play (often performed in two scenes) that centers on the Fosu family. The patriarch, Mr. Fosu (often referred to as Father), is a staunch traditionalist and a successful merchant. He has a rigid plan for his children’s futures: The conflict erupts when Mr
The conflict erupts when Mr. Fosu discovers that his children have been secretly subverting his plans. Aaron, the would-be minister, has been studying medicine and poetry. George, the aspiring businessman, has been writing serious literature. Hannah, the domestic trainee, has been secretly marrying a man of her own choice (James) and learning shorthand and typing to become a secretary.
The play unfolds as a series of confrontations, accusations, and tragic ironies. Unlike a typical comedy where misunderstandings are resolved happily, de Graft steers the play toward a devastating climax. When Mr. Fosu’s stubborn pride meets his children’s determined rebellion, the result is not reconciliation—but exile and death.