The Hitmaka drum sound is counterintuitive. Most beatmakers pile on layers. Hitmaka removes. His drums breathe like a live band looping a 4-bar zone. There’s space—ghost notes, silence, an off-grid snare that dares you not to nod your head.
Using his kit feels like stealing a cheat code for “effortless cool.” You load a clap, a hat loop, and a sparse 808… and suddenly your beat sounds like a Ty Dolla $ign interlude.
Hitmika creates a "wobble" effect not with the bass, but with the drums.
Quiet. In the mix, Hitmaka’s hats are usually turned down to -18db or lower. He uses standard Roland 909 closed hats but rolls off the high end to make them "soft."
Hitmaka primarily uses Spinz 808 variants, but heavily processed. Look for labels like:
These 808s lack a long, sustained tail. Instead, they cut off quickly (short decay) but have a massive transient. He frequently uses the RC-20 Retro Color plugin or Decapitator to add harmonic distortion so the bass can be heard on laptop speakers.
The Hitmaka drum kit is not magic; it is a tool. You could give a beginner the exact same sounds Hitmaka uses, and it wouldn't sound like a hit. The "Big Bs" sound relies on confidence. The drums are sparse but loud. The kicks are deep but wide.
To master this style, strip your beats down. Remove every third hi-hat. Layer a clap over your snare but turn the clap down by -6db. And always, always put a Soft Clipper on the master channel.
Whether you are making a West Coast banger or a sensual 90s R&B flip, the right drum kit gets you 50% of the way. The other 50% is swinging like you mean it. Download a reliable Hitmaka kit today, open your DAW, and let the Woo Woo tag do the rest.
Keywords Used: Hitmaka Drum Kit, Hitmaka type beat, Big Bs, producer kit, trap drums, 808 samples, snare sound, how to make Hitmaka beats. hitmaka drum kit
Elevating Modern Production: The Ultimate Hitmaka Drum Kit Guide
If you've listened to a club banger or a smooth R&B hit over the last decade, you've likely heard the work of Hitmaka (formerly known as Yung Berg). From producing Big Sean's "Bounce Back" to working with Chris Brown and Ty Dolla $ign, Hitmaka has defined the "New R&B" and "Club Rap" sound. Central to this sound is a very specific rhythmic foundation—one that producers everywhere try to emulate using a high-quality Hitmaka drum kit. What Makes the "Hitmaka Sound"?
Hitmaka’s production is characterized by a "less is more" philosophy, often consisting of no more than five core elements to leave maximum space for the artist. His drums aren't just background noise; they are the heartbeat of the track, often featuring:
Hard-Hitting 808s: His 808s are often based on simple Roland 808 kicks, tuned perfectly with long releases and short attacks.
Polished Percussion: Clean claps, crisp rimshots, and sharp hi-hats that provide a "bounce" essential for modern R&B.
Nostalgic R&B Textures: Many kits, like the one by Vale on LANDR Samples, are inspired by early-to-mid 2000s R&B, featuring synth textures, dreamy pads, and eerie textures. Essential Hitmaka Drum Kits for Producers
If you want to capture this Grammy-nominated producer's vibe, several curated kits have become industry standards:
The Lunch77 Hitmaka Drumkit: This is widely considered a go-to for many in the community. It includes nearly 80 sounds, ranging from "Bounce Back" style 808s to specific "Cardiak" rides and crashes. You can find this curated pack on TwoShot.
Vale’s Hitmaka Sample Pack: Found on LANDR, this pack focuses heavily on loops and textures that mirror the R&B/Hip-Hop crossover style Hitmaka is known for. The Hitmaka drum sound is counterintuitive
Hit Kit V3: While not exclusively "Hitmaka," this massive collection of 4,000+ sounds on Hit Kit Samples is used by A-list producers who share Hitmaka's space in the charts, such as those working with Justin Bieber and Swae Lee. How to Mix Like Hitmaka
Owning the kit is only half the battle. To get that "in-your-face" drum sound:
Slight Distortion: Apply a little analog grit or overdrive to your 808s to help them cut through small speakers.
Layering: Most of his rap kicks are based on a core 808 layered with floor stomps or real kick drums for extra punch.
Space: Avoid over-complicating the rhythm. Simple patterns with the right "swing" allow the artist's melody to shine.
13 songs Hitmaka helped create for other artists - Revolt TV
Hitmaka (formerly Yung Berg) is one of today’s most prolific hitmakers, known for glossy, melodic hip-hop and R&B productions that blend crisp drums, deep grooves, and polished bounce. A drum kit inspired by Hitmaka should give producers the tools to craft radio-ready rhythms with modern swagger. Below is a practical, shareable post you can use on social media, a blog, or a beat store listing.
Title: Build Radio-Ready Beats with the Hitmaka Drum Kit
Intro (1–2 lines) Give your tracks that sleek, commercial edge. The Hitmaka Drum Kit delivers punchy kicks, airy snares, tight claps, and trap-ready hi-hats designed to sit perfectly under smooth melodies and vocal hooks. These 808s lack a long, sustained tail
What’s inside (bulleted list)
Why it works (short paragraph) These sounds are curated for clarity and punch—components Hitmaka often emphasizes: tight transient shaping, tasteful layering, and modern tone shaping that leaves space for vocals while retaining low-end impact.
Producer tips (numbered)
Use cases / genres (bullet list)
Call to action (1 line) Download the Hitmaka Drum Kit to start crafting polished, radio-ready beats today.
Hashtags & tags (single line) #Hitmaka #DrumKit #Beatmakers #MusicProduction #TrapBeats #RNB
If you want, I can adapt this for an Instagram caption, a product listing, or a longer blog post with audio examples.
Of course, no legendary kit comes without debate. Some say Hitmaka’s drums are just recycled Zaytoven or London on da Track with less swing. Others argue that the magic isn’t the samples—it’s his arrangement. The same kick in another producer’s hands? Flat. In his? Groove.
Plus, many “Hitmaka kits” floating online are fan-made compilations. The real one? Probably just 15 sounds he actually uses. That’s the point. You don’t need a library. You need ears.
Having the sounds is only half the battle. Here is how to program them like Hitmika.