Published on: 25th of May 2021
Contralto is a high contrast sans-serif font family, crafted to look elegant but contemporary thanks to soft humanist shapes mixed with sharp geometric details.
Contralto comes in 40 styles: 5 weights × italics × 4 optical sizes, to help optimising contrast and readability. However, you can also use them to fine tune the mood of your graphical composition.
Contralto’s generous character set and Opentype features let you meet the most demanding layout needs and lets your creativity fly!
Download the Contralto Specimen -->
| light | regular | demibold | bold | black | light italic | regular italic | demibold italic | bold italic | black italic | |
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 anticollision ligatures Standard ligatures (should be always on). • smart f variants to avoid collisions, • T T ligature, • anti-collision T (rightside), • variants of f and t horizontal bar when next to each other (ff, tt, ft, tf, ttt, fff…) |
 Alternate a (ss01) Stylistic set 01: Alternate lowercase a glyph. |
 Alternate g (ss02) Stylistic set 02: Alternate lowercase g glyph. |
 Alternate j (ss03) Stylistic set 03: Alternate lowercase and uppercase j glyph. |
 Alternate y (ss04) Stylistic set 04: Alternate lowercase y glyph. |
 case sensitive forms Displays a version of the glyph that matches uppercases. Case sensitive glyphs are: ß 0 1 2 3 4 5 6 7 8 9 : ; · • ◦ ‣ ◆ ■ □ ▣ ( ) { } [ ] - – — ⎯ « » ‹ › ¢ ¤ $ € ƒ ₺ ₱ ₹ £ ¥ + − × ÷ = ≠ > < ≥ ≤ ± ≈ ~ ¬ ∅ ∞ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↔ ↕ ⟵ ⟶ ⟷ |
 ordinals Creates ordinal versions for letters a b c d e h i l m n o r s t. If a or o are preceded by a figure and no letter follows, ordfeminine ª and ordmasculine º are displayed instead. |
 arrows (ss06) Stylistic set 06 “Arrows”. Transforms: -> to →, <- to ←, --> to ⟶, <-- to ⟵, <-> to ↔, <--> to ⟷, ^- to ↑, -^ to ↓, ^-^ to ↕, /> to ↗, </ to ↙, \> to ↘, <\ to ↖, -- to ⎯ (double hyphen makes a longer arrow, sizing exactly 2 tabular spaces). |
 contextual alternates Transforms the x letter to the multiply sign (×) when between two figures and/or an extra space. |
 slashed zero Activates slashed-zero alternate |
 lining & oldstyle figures Lining figures: displays uppercase-aligned figures and case sensitive glyphs: ß 0 1 2 3 4 5 6 7 8 9 : ; · • ◦ ‣ ◆ ■ □ ▣ ( ) { } [ ] - – — ⎯ « » ‹ › ¢ ¤ $ € ƒ ₺ ₱ ₹ £ ¥ + − × ÷ = ≠ > < ≥ ≤ ± ≈ ~ ¬ ∅ ∞ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↔ ↕ ⟵ ⟶ ⟷ Oldstyle figures: displays lowercase (default) figures and glyphs. |
 tabular figures & symbols Switches figures and some related glyphs to tabular ones. This feature makes the target glyphs same width and aligns them vertically as they were inside a table. Tabular glyphs are: π … # _ ⎯ ¢ $ € ƒ ₺ ₱ ₹ £ ¥ + − × ÷ = ≠ > < ≥ ≤ ± ≈ ~ ¬ ∅ ∞ ∫ √ µ ∂ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↔ ↕ ◊ ☐ ☑ ✓ Glyphs with tabular alternates: 0 1 2 3 4 5 6 7 8 9 . , : ; · " ' ° | ¦ % / \ - (and space). Most of them have case-sensitive alternates too. In this font you’ll also find 3 long arrows ⟵ ⟶ ⟷ with their case sensitive alternate. Their length is exactly twice a tabular. |
 superscripts & subscripts Activates superscript and subscript figures independently. |
 numerators & denominators Activates numerator and denominator figures independently. |
 fractions Real fractions from any [number] slash [number] sequence. |
If you search for "Hum Aapke Hain Koun sub Indo" today, you aren't just looking for a file download; you are tapping into one of the most fascinating cross-cultural love affairs in Asian pop culture history.
In 1994, Sooraj Barjatya’s Hum Aapke Hain Koun..! (Who Am I to You?) changed the landscape of Indian cinema. It wasn't just a hit; it was a phenomenon. But while the film was rewriting box office records in Mumbai, something equally potent was happening in the living rooms of Jakarta, Surabaya, and across the Indonesian archipelago. hum aapke hain koun sub indo
Here is a look at why this specific film, often abbreviated as HAHK, remains a cornerstone of the "Sub Indo" community. If you search for "Hum Aapke Hain Koun
To understand why Indonesians search for this movie, you have to understand the Indian TV invasion of the 2000s. Indonesian television channels like ANTV and Indosiar began airing Indian serials such as Jodha Akbar, Mahabharat, and Iss Pyaar Ko Kya Naam Doon? It wasn't just a hit; it was a phenomenon
These shows created a massive fanbase for Indian aesthetics—dubbed in the distinct, fast-paced Bahasa Indonesia style (sulih suara). While HAHK is a movie, it is the "parent" template for the drama, family values, and grandeur that Indonesian audiences fell in love with via TV. Searching for "sub Indo" versions of HAHK is often an attempt by fans to return to the source—to see the original, quintessential "clean family drama" that inspired the genre they love.
Planning a movie night? Here is a checklist to ensure a smooth experience with "hum aapke hain koun sub indo" :
Indonesia is a collectivist society. The film’s portrayal of kekeluargaan (family unity) where everyone eats together, prays together, and celebrates festivals like Diwali or Karak Chauth mirrored the Indonesian values of gotong royong (mutual cooperation). The search for "nonton film hum aapke hain koun sub indo" (watch HAHK with Indo subs) spikes every year during Lebaran (Eid) and Imlek (Chinese New Year) holidays when families gather.
