Miley Cyrus Bangerz Unreleased Top May 2026

Long before “Hate Me” was released on Plastic Hearts (2020), the original demo existed during the Bangerz sessions. However, the 2013 version is sonically alien compared to the rock ballad of 2020. The Bangerz version is sparse, featuring only a low-end bass wobble and Miley whispering the bridge through a vocoder.

These songs are not officially released. They circulate via:

Legal/Ethical Note: Miley has publicly stated (2020 TikTok live) that she is aware of the leaks and said, “It’s annoying because those aren’t finished. I don’t want you to hear me figuring it out.” She has never sanctioned their release. Listen at your own discretion, but support official releases.


Beyond the music, the phrase "unreleased top" evokes the specific fashion of that time. The Bangerz aesthetic was defined by high-fashion deconstruction. This was the era of the custom Versace safety-pin bodysuits, the Jimmy Choo "Anouk" pumps covered in spikes, and a myriad of cropped, custom-made tops that are now archived or lost to history. miley cyrus bangerz unreleased top

Fans often hunt for the "ID" (identification) of specific outfits worn during the Bangerz Tour rehearsals or small-venue gigs where she performed unreleased tracks. One of the most sought-after "unreleased" looks is the series of mesh and rhinestone bodysuits designed by the late Jeremy Scott for Moschino, which were worn during soundchecks for songs that never dropped. These tops were more than clothing; they were armor. They reflected the sentiment of the unreleased music: loud, uncovered, and unapologetic.

A decade later, the obsession with the Bangerz vault remains high because that era represented a specific kind of freedom for Cyrus. It was a moment in time where she didn't care about being liked; she cared about being heard and seen.

The "unreleased top"—whether it refers to a ranking of the best leaked songs or a piece of forgotten couture—serves as a time capsule. It reminds us that pop history is often written not just by the songs that hit number one, but by the chaotic, creative energy of the ones that got away. As Cyrus continues to evolve into her "Endless Summer Vacation" era, the gritty, glittery ghosts of Bangerz continue to fascinate, proving that the rebellion never really goes out of style. Long before “Hate Me” was released on Plastic


No, not the country song by Miley’s godmother, Dolly Parton. This Bangerz outtake features St. Louis rapper Nelly (of “Hot in Herre” fame). The track is a trunk-rattling ode to driving a pickup truck through the mud—literally mixing Miley’s Southern roots with trap hi-hats.

Originally surfacing as a rough studio snippet, “Dirty Hippie” is a bass-heavy, spoken-word-meets-chant track. Miley declares herself a “dirty hippie, don’t you get me started,” over a marching beat reminiscent of M.I.A. While fragments of its lyrics and cadence later appeared in the Bangerz album track “Someone Else,” the original “Dirty Hippie” had a rebellious, psychedelic edge that fans still consider superior.

The Bangerz album was a cohesive mix of hip-hop production and country-pop ballads, but the sessions for the album were notoriously prolific. Cyrus worked with heavy hitters like Mike Will Made-It, Pharrell Williams, and will.i.am, recording dozens of tracks that never made the final cut. Legal/Ethical Note: Miley has publicly stated (2020 TikTok

In the years since, a "Top" tier list of these unreleased songs has circulated through fan forums and YouTube archives. Tracks like "Nightmare," a throbbing electropop anthem that many argue should have been a single, sit at the top of fan rankings. There is also "Last Goodbye," a heart-wrenching ballad often compared to the album’s hit "Wrecking Ball," and "Pretty Girls (Fun)," a high-energy club track that captures the reckless abandon of the era.

These songs paint a picture of an era that was even darker and more experimental than what the public consumed. They represent the "uncut" version of Bangerz—raw, unpolished, and free from the constraints of radio formatting.