Don’t shuffle. The discography is a therapy session, not a jukebox.
The Verdict: $uicideboy$ turned their trauma into a subscription service. While mainstream rap chased luxury, they chased the dragon—and eventually, sobriety. Their discography is bloated by design, chaotic by necessity, and brilliant because it never pretended to be anything other than two cousins from New Orleans screaming into the void.
Grey ‘til the grave.
The Suicideboys Discography Hoodie is a popular piece of streetwear typically featuring the album covers or names from the extensive Suicideboys discography on the back. It is often associated with the group's "Grey Day" tours and is sold through retailers like Etsy and various fan-merchandise sites. Key Pieces & Merchandise Options
Discography Hoodie: Usually includes a grid or list of major projects, such as I Want to Die in New Orleans, Long Term Effects of Suffering, and the Kill Yourself sagas. Designs vary from minimalist text lists to full-color album art collages Etsy.
Album Print Bundles: For those looking for wall art rather than apparel, bundles featuring minimalist posters of their entire discography are available on platforms like Etsy
Vinyl & Physical Media: Collectors can find specific "pieces" of the discography, such as the New World Depression Vinyl LP Go to product viewer dialog for this item.
(often in limited edition colors like coke bottle green) at specialized stores like Vinyl Record Vault or CDs of Long Term Effects of Suffering on Desertcart. Discography Overview
If you are looking for the musical "pieces" that make up their discography, the duo has released numerous studio albums and over 40 EPs: Key Releases Studio Albums
I Want to Die in New Orleans (2018), Long Term Effects of Suffering (2021), Sing Me a Lullaby, My Sweet Temptation (2022), New World Depression (2024), Thy Kingdom Come (2025) Notable EPs
Radical $uicide, DirtiestNastiest$uicide, Yin Yang Tapes (Spring, Summer, Fall, Winter), and the 20-part Kill Yourself saga Mixtapes
Gray/Grey, 7th or St. Tammany, YUNGDEATHLILLIFE, Eternal Grey
Fans often discuss and share comprehensive lists of their 1,200+ individual tracks and projects on community forums like Reddit to help others find rare or unreleased "pieces" of their history.
(I Want to Die in New Orleans, Stop Staring at the Shadows)
With their debut studio album, I Want to Die in New Orleans (2019), the duo attempted to transition from internet legends to legitimate mainstream artists.
After a brief hiatus (Scrim’s near-fatal overdose and subsequent sobriety), the duo returned with their official "debut" album.
The $uicideboy$ discography is a monument to survival. It begins with two junkies screaming into a $50 microphone about wanting to die, and it evolves into two sober businessmen sampling their own past trauma for profit. But it never feels fake. Unlike many rap artists who "get happy" once they sign a deal, Ruby and Scrim simply traded the grim reaper for a steady heartbeat.
To listen chronologically is to hear a flatline become a pulse. Grey 59 for life.
Stream the full $uicideboy$ discography on Spotify, Apple Music, or via the G59 Records official store.*
Navigating the Abyss: A Guide to the uicideboyu i c i d e b o y Discography
Since emerging from the New Orleans underground in 2014, cousins Ruby da Cherry and $crim—the duo known as uicideboyu i c i d e b o y Suicideboys Discography
—have built one of the most prolific and dedicated cult followings in modern hip-hop. With a massive discography that spans dozens of EPs, mixtapes, and chart-topping studio albums, their music serves as a raw "time capsule" of their battles with addiction and depression.
Whether you’re a long-time member of the Grey Day family or a newcomer looking for a roadmap, The Early Foundations: Mixtapes and EPs
The duo’s early career is defined by a relentless release schedule, often dropping short, abrasive projects that blended Memphis horrorcore influences with punk-rock energy.
The discography of uicideboyu i c i d e b o y is a massive, evolving archive of independent artistry that spans over 50 projects, ranging from lo-fi underground EPs to chart-topping studio albums. Cousins Ruby da Cherry and $crim formed the duo in New Orleans in 2014, famously making a pact to succeed in music or end their lives—a "suicide pact" that gave the group its name and set the high-stakes, raw emotional tone for their entire body of work. The Underground Foundation (2014–2017)
The duo’s early era is defined by an incredibly prolific output, primarily released through their own independent label, G*59 Records. This period was dominated by the Kill Yourself sagas—a series of 20 EPs that established their signature blend of Memphis rap-inspired phonk, horrorcore, and "emo rap". $uicideboy$ Albums and Discography - Genius
The discography of u i c i d e b o y (Ruby da Cherry and $crim) is one of the most prolific in modern hip-hop, characterized by a rapid-fire release schedule and a dark, "Grey" aesthetic. Their work is primarily released under their own label, G*59 Records 1. Studio Albums These represent their most polished, high-charting work. Thy Kingdom Come (2025): Their highest-charting album to date, debuting at #4 on the Billboard 200 New World Depression (2024): Continued their trend of top-tier chart performances. Sing Me a Lullaby, My Sweet Temptation (2022): Noted for its refined production and introspective themes. Long Term Effects of Suffering (2021): Explored sobriety and the aftermath of fame. Stop Staring at the Shadows (2020):
A shorter project that bridged the gap between their mixtape roots and studio polish. I Want to Die in New Orleans (2018):
Their major-label debut, capturing the chaos of their rise to fame. 2. The "Kill Your$elf" Sagas
A cornerstone of their discography, these are 20 individual EPs (Parts I–XX) released in batches between 2014 and 2017. They served as experimental grounds for their signature sound, blending Memphis rap influences with punk energy. 3. Major Mixtapes (The "Golden Era")
Between 2015 and 2017, the duo released a massive volume of work that defined the underground "SoundCloud Rap" scene: Eternal Grey (2016):
Widely considered a fan favorite, featuring darker, heavier production. Radical $uicide (2016):
Produced entirely by Getter, featuring the breakout hit "Memoirs of a Gorilla." Dark Side of the Clouds (2016):
Featured "Antarctica," which became one of their most iconic (and legally controversial) tracks. My Liver Will Handle What My Heart Can’t (2015): A raw look at addiction and mental health. High Tide in the Snake’s Nest (2015): Includes "Sunshine," a staple of their live shows. Gray/Grey (2015): Their first major full-length mixtape. 4. Collaborative EPs DIRTYNASTY$UICIDE (Vols. 1–3): GREY SHEEP (I & II): Solo-focused tracks within the duo framework. G.R.E.Y.G.O.D.S. (I & II): Shameless $uicide (2023): A collaborative EP with 5. Solo Projects Released the massive 30-song album via crucis in 2025 and A Man Rose from the Dead Ruby da Cherry: Released the punk-inspired project under the moniker Apple Music Where to Start? For the Hits: Start with I Want to Die in New Orleans For the Deep Underground Vibe: Start with Eternal Grey Kill Your$elf Part XX: The Infinity Saga For Modern $B: Start with Thy Kingdom Come Sing Me a Lullaby, My Sweet Temptation
The Complete Guide to the uicideboyu i c i d e b o y Discography: A Journey Through the Underground The uicideboyu i c i d e b o y
discography is one of the most prolific and unique catalogs in modern hip-hop. Emerging from New Orleans, the duo—composed of cousins Ruby da Cherry and $crim—has built an empire on raw, dark, and uncompromising soundscapes. With over 40 projects ranging from EPs to studio albums, navigating their musical history is like diving into a deep, visceral exploration of mental health, addiction, and the occult. The Early Years: The Kill Your$elf Sagas The foundation of the uicideboyu i c i d e b o y
discography lies in their massive series of EPs known as the Kill Your$elf Sagas. Beginning in 2014, these short-form projects allowed the duo to experiment with their sound, blending Memphis horrorcore influences with modern trap. The Foundation: Early sagas like The uicideu i c i d e aga and The Black uedeu e d e aga introduced their signature "dark trap" aesthetic.
Rapid Production: Between 2014 and 2017, they released twenty parts of this series, each featuring distinct artwork and thematic shifts, which helped them build a cult following on platforms like SoundCloud. Breakthrough EPs and Collaborative Projects
Before transitioning to full-length studio albums, the duo released several standout EPs that defined their mid-career peak.
Radical $uicide (2016): Produced entirely by Getter, this EP bridged the gap between underground rap and EDM/dubstep fans, featuring the hit "Memoirs of a Gorilla."
The Dirtier Na$tier $uicide Series: Collaborations with Germ showcased a higher energy, more aggressive side of their discography. Don’t shuffle
I No Longer Fear the Razor Guarding My Heel: These multi-part tracks are fan favorites, often structured as three-song suites that flow seamlessly into one another, highlighting $crim’s evolving production. The Studio Album Era As their popularity exploded, the uicideboyu i c i d e b o y
discography moved into the realm of polished, conceptual studio albums released under their own label, G*59 Records.
I Want to Die in New Orleans (2018): Their debut studio album debuted in the top 10 of the Billboard 200. It captures the chaotic lifestyle of their sudden fame and the mental toll it took.
Long Term Effects of Suffering (2021): This project saw the duo reflecting on sobriety and the lasting impact of their past, featuring a more refined and experimental sound.
Sing Me a Lullaby, My Sweet Temptation (2022): As their 47th project, this album continued their streak of commercial success while maintaining the gritty atmosphere their fans crave.
New World Depression (2024): Their latest full-length effort continues to push the boundaries of the "Shadow Rap" genre they helped pioneer. Key Themes and Production Style uicideboyu i c i d e b o y
discography is instantly recognizable due to $crim’s production (often credited as Budd Dwyer). Their music typically features:
Distorted Bass: Heavy 808s that create a claustrophobic, intense energy.
Nostalgic Samples: Frequent use of 90's Memphis rap samples (like Three 6 Mafia) and eerie ambient textures.
Vocal Contrast: The interplay between $crim’s gravelly, low-pitched delivery and Ruby’s versatile range—from melodic singing to rapid-fire "chopper" flows—is a hallmark of every project. Conclusion: A Legacy of the Underground
From their humble beginnings on SoundCloud to selling out arenas worldwide, the uicideboyu i c i d e b o y
discography remains a testament to independent success. By consistently releasing music that speaks to the "outsider" experience, Ruby and $crim have created a body of work that is as influential as it is vast. Whether you are starting with their early sagas or their latest chart-topping albums, the duo offers a raw, unfiltered look into the human psyche.
If you want, I can:
(Invoking related search suggestions)
The discography of u i c i d e b o y , the New Orleans-born duo comprised of cousins Ruby da Cherry
, is a sprawling, prolific journey through the darkest corners of the human psyche. Since their formation in 2014, they have built an independent empire, G*59 Records
, on the foundation of raw, unfiltered explorations of addiction, depression, and nihilsm. Their work can be understood through three distinct phases: the "SoundCloud Era" explosion, the era of major studio evolution, and their more recent shift toward recovery and sobriety. The Foundation: The Kill Yourself Sagas
The duo’s early catalog is defined by its sheer volume and relentless pace. In 2014 alone, they released seven EPs, starting with "Kill Yourself Part I: The $uicide $aga"
. These early projects established their signature sound: a blend of dark, phonk-inspired production, distorted bass, and rapid-fire verses that drew heavily from Southern rap roots and Three 6 Mafia influences. By the end of 2017, they had completed 20 installments of the "Kill Yourself"
sagas, creating a massive, loyal underground fan base that saw their music as an authentic reflection of shared struggle. Studio Evolution and Mainstream Breakthrough The Verdict: $uicideboy$ turned their trauma into a
While their early work was defined by EPs and mixtapes, their debut studio album, "I Want to Die in New Orleans"
(2018), marked a pivotal shift toward higher production value and more cohesive storytelling. This album captured the chaotic reality of their rising fame while still battling the same internal demons that fueled their underground days. Subsequent projects like "Stop Staring at the Shadows" (2020) and "Long Term Effects of SUFFERING"
(2021) continued this trajectory, cementing them as a force that the traditional music industry could no longer ignore. Recovery and New Horizons
In recent years, the duo’s music has undergone its most profound transformation. Following a personal intervention and successful journey into sobriety for both members, their lyrical focus shifted toward recovery and self-reflection. "Sing Me a Lullaby, My Sweet Temptation"
(2022) is often cited as their "gentlest" work, featuring more melodic backdrops and bars that contemplate the pitfalls of their earlier, addiction-fueled mythology. "New World Depression"
(2024) continued this evolution, debuting at #1 on the Top R&B/Hip-Hop Albums Chart and proving that their fans remain as devoted to their healing as they were to their pain.
The discography of u i c i d e b o y is massive, consisting of five studio albums, dozens of mixtapes, and their signature Kill Your$elf
EP series. To navigate it, it's best to break it down by era, from their underground beginnings to their recent Billboard-topping releases. 1. The Foundation: Kill Your$elf Sagas (2014–2017)
The duo gained a massive cult following through these short EPs. There are in total, often grouped into blocks. The Early Sagas (I–X):
Defined by raw, Lo-Fi production and heavy Memphis rap influences. The Later Sagas (XI–XX):
Features more polished production and diverse sounds, including the "Kingdom Come" and "Atlantis" sagas. 2. The Breakthrough Mixtapes (2015–2017)
During this prolific period, they released several projects that defined the "Dark Trap" genre. Essential listening includes: A fan favorite featuring "Clouds as Witnesses." My Liver Will Handle What My Heart Can't Includes their viral hit "Kill Your$elf (Part III)". Eternal Grey
Widely considered one of their best mixtapes, featuring a more aggressive sound. Apple Music 3. Studio Albums (2018–Present)
The studio albums represent their transition from underground icons to mainstream stars, often focusing on themes of sobriety and mental health. I Want to Die in New Orleans
Their debut studio album, featuring a cinematic, dark atmosphere. Long Term Effects of SUFFERING Features the hit "Avalon". Sing Me a Lullaby, My Sweet Temptation
Showcases a more melodic side with tracks like "Matte Black". New World Depression
Their fourth album, continuing their streak of high-charting releases. Thy Kingdom Come
Their most successful project to date, debuting at #4 on the Billboard 200 4. Essential Collaborative EPs ide $uicide A collaborative EP with that helped launch them into the spotlight. DIRTIERNASTIER$UICIDE The final installment of their trilogy with SHAMELESS $UICIDE A high-energy collaboration with Where to Start? If you're a new listener, start with the u i c i d e b o y playlist on Apple Music , then dive into Eternal Grey I Want to Die in New Orleans to understand their range. Apple Music $UICIDEBOY$ | Rap/Hiphop Wiki | Fandom
When $uicideboy$ returned, they were different. Clean. Mature. Weirdly... hopeful? Stop Staring at the Shadows (Feb 2020) was recorded in rehab waiting rooms. The bass was lower; the tempo slower; the rapping clearer.
The Comeback Trilogy:
The Grey Day Tour: This era cemented their status as festival headliners, moving from clubs to arenas like the Smoothie King Center (New Orleans).