Taboo 1 2 3 4 5 6-i Ii Iii Iv V Vi- American St... Official

Taboo was a smash hit on the 35mm theatrical circuit and home video. It grossed millions (an astronomical sum for an adult film in 1980) but was condemned by feminists for “romanticizing incest” and by conservatives for moral decay. Nevertheless, it won multiple AFAA (Adult Film Association of America) awards, including Best Actress for Parker.

After Parker’s character was retired, the series pivoted to new protagonists. Taboo IV focuses on a wealthy East Coast family. The taboo here expands beyond mother-son to include brother-sister dynamics. Critics at AVN Magazine called it “a competent but unnecessary extension.” Still, it sold well due to the brand recognition. Taboo 1 2 3 4 5 6-I II III IV V VI- american st...

Taboo III was one of the first adult films to use Steadicam and extensive location shooting in Los Angeles. Director John T. Bone (who took over from Kirdy Stevens) pushed for a more cinematic, neo-noir aesthetic. The film’s haunting saxophone score became a sample source for later hip-hop producers, oddly enough. Taboo was a smash hit on the 35mm

Taboo III was marketed as the “shocking conclusion.” This installment goes even darker. Barbara’s daughter (introduced in II) becomes entangled in a similar web, suggesting generational dysfunction. Kay Parker, now fully embracing her icon status, gives a farewell performance. The ending is notably bleak: Barbara ends up alone, realizing that breaking the ultimate taboo has cost her everything—her family, her sanity, and her peace. After Parker’s character was retired, the series pivoted

Perhaps the most bizarre entry, Taboo V moved the setting to a decaying plantation home in Louisiana. The plot involves a matriarch, a wayward son returning from war, and a hurricane that traps them together. The film tried to ground the taboo in gothic romance tropes, reminiscent of The Fall of the House of Usher with explicit content. It is considered a cult oddity among collectors.