In the era of 500+ scripted TV series per year, there is no single "watercooler moment." Instead:
To understand the industry, we must distinguish between the medium (the platform) and the content (the message).
LED volumes (as used in The Mandalorian) replace green screens. Result: Real-time in-camera VFX, lower location costs, but high upfront investment.
In the era of 500+ scripted TV series per year, there is no single "watercooler moment." Instead:
To understand the industry, we must distinguish between the medium (the platform) and the content (the message).
LED volumes (as used in The Mandalorian) replace green screens. Result: Real-time in-camera VFX, lower location costs, but high upfront investment.
